Develop techniques for arranging music Evidence Guide

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Evidence Guide: CUSMCP401A - Develop techniques for arranging music

Student: __________________________________________________

Signature: _________________________________________________

Tips for gathering evidence to demonstrate your skills

The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!

From the Wiki University

CUSMCP401A - Develop techniques for arranging music

What evidence can you provide to prove your understanding of each of the following citeria?

Develop an understanding of music arrangement

In consultation with appropriate personnel, identify factors that may have an impact on how to approach the arranging of music
Consider the range of ways musical elements could be reworked for different types of compositions

In consultation with appropriate personnel, identify factors that may have an impact on how to approach the arranging of music

Completed
Date:

Teacher:

Evidence:

Consider the range of ways musical elements could be reworked for different types of compositions

Completed
Date:

Teacher:

Evidence:

Generate ideas for musical arrangements

Clarify scope of music arrangement brief with appropriate personnel
Prepare a plan for completing work in line with the requirements of the brief and negotiate a contract as required
Brief other people involved in the music arrangement project as required
Research arranging conventions of musical style as required
Generate a range of musical ideas or starting points and experiment with options for realising them
Discuss options with appropriate personnel and refine ideas as required

Clarify scope of music arrangement brief with appropriate personnel

Completed
Date:

Teacher:

Evidence:

Prepare a plan for completing work in line with the requirements of the brief and negotiate a contract as required

Completed
Date:

Teacher:

Evidence:

Brief other people involved in the music arrangement project as required

Completed
Date:

Teacher:

Evidence:

Research arranging conventions of musical style as required

Completed
Date:

Teacher:

Evidence:

Generate a range of musical ideas or starting points and experiment with options for realising them

Completed
Date:

Teacher:

Evidence:

Discuss options with appropriate personnel and refine ideas as required

Completed
Date:

Teacher:

Evidence:

Arrange music

Develop and apply a range of techniques to adapt and organise musical elements into working versions of arrangements
Obtain copyright clearances and address issues regarding intellectual property rights as required
Listen to work in progress with appropriate personnel and seek feedback on how well arrangements meet creative and technical requirements
Incorporate ideas and suggestions into final arrangements
As required, attend rehearsals or performance workshops where arrangements are being played and make any necessary adjustments
Present all arrangements in required format by agreed deadline

Develop and apply a range of techniques to adapt and organise musical elements into working versions of arrangements

Completed
Date:

Teacher:

Evidence:

Obtain copyright clearances and address issues regarding intellectual property rights as required

Completed
Date:

Teacher:

Evidence:

Listen to work in progress with appropriate personnel and seek feedback on how well arrangements meet creative and technical requirements

Completed
Date:

Teacher:

Evidence:

Incorporate ideas and suggestions into final arrangements

Completed
Date:

Teacher:

Evidence:

As required, attend rehearsals or performance workshops where arrangements are being played and make any necessary adjustments

Completed
Date:

Teacher:

Evidence:

Present all arrangements in required format by agreed deadline

Completed
Date:

Teacher:

Evidence:

Evaluate own music arrangements

Identify criteria to provide an effective measure of the success of own arrangements
Compare work against previous arrangements to assess development of techniques and ideas
Discuss strengths and weaknesses of arrangements with appropriate personnel and identify strategies for improving own arranging techniques

Identify criteria to provide an effective measure of the success of own arrangements

Completed
Date:

Teacher:

Evidence:

Compare work against previous arrangements to assess development of techniques and ideas

Completed
Date:

Teacher:

Evidence:

Discuss strengths and weaknesses of arrangements with appropriate personnel and identify strategies for improving own arranging techniques

Completed
Date:

Teacher:

Evidence:

Assessed

Teacher: ___________________________ Date: _

Signature: ________________________________________________

Comments:

Instructions to Assessors

Evidence Guide

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit	Evidence of the ability to: arrange a selection of compositions in response to at least two briefs apply well-developed aural skills to the music arranging process work collaboratively with others involved in creating or performing the music arrangements.
Context of and specific resources for assessment	Assessment must ensure: access to an environment where music arranging skills can be applied access to industry-current software, hardware and audio equipment for composing, orchestrating and setting down music access to scores relevant to the candidate's selected musical styles use of culturally appropriate processes, and techniques appropriate to the language and literacy capacity of the candidate and the work being performed.
Method of assessment	The following assessment methods are appropriate for this unit: evaluation of work plans prepared by the candidate direct observation of the candidate arranging musical pieces written or oral questioning to assess candidate's understanding of musical elements and techniques for arranging compositions written or oral questioning to test knowledge as listed in the required knowledge section of this unit case studies and scenarios as a basis for discussion of issues and challenges that typically arise in the context of arranging music in response to a brief.
Guidance information for assessment	Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example: CUFCMP301A Implement copyright arrangements CUSMCP402A Develop techniques for composing music CUSMCP501A Compose music using electronic media CUSMLT401A Notate music for performance CUSMLT403A Analyse functional harmony CUSMLT501A Refine aural-perception skills.

Required Skills and Knowledge

Required skills

communication and teamwork skills sufficient to:

discuss requirements for arranging music in a collaborative manner

document plans for music arrangement projects

respond positively to constructive feedback on own arrangements

listening skills in the context of:

using aural imagination when manipulating musical elements

analysing music instrumentation

applying aural-perception skills to enhance the sound of original compositions

initiative and enterprise skills in the context of:

phrasing and shaping music appropriately

giving the finished work a stylistically convincing sound

demonstrating originality and innovative approaches in the use and organisation of musical elements

incorporating melodic and harmonic components to give arrangements a musically distinctive sound

arranging music appropriately for the context of venues and perceived audience taste

learning skills in the context of continuously improving music-arranging techniques through practice and refinement based on critical feedback

planning, self-management and organisational skills sufficient to:

prioritise work tasks

meet deadlines

plan the arrangement of music in a logical sequence

work within established budgets and timeframes

demonstrate reliability in all agreed work commitments

technology skills in the context of using music composition and arranging software at a working level of proficiency

Required knowledge

well-developed understanding of musicianship issues, including:

repertoire and music history relevant to area of specialisation

harmony and counterpoint

instrumentation and orchestration

musical protocols and customs for setting down music

genres and styles, and their musical forms and conventions in written notation

interpretation of chords, scales, melodies, forms, textures or other conventions found within music notation

options for using computer applications to notate music

reading and writing music using written music notation, such as acoustic and electronic scores, sheet music and chord charts

techniques for writing directions for:

instrumentation

voicing

expression

timbre

attack

pitch

tempi

dynamics

issues and challenges that typically arise in the context of arranging music

Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Appropriate personnel may include:	composer songwriter music publisher performer ensemble member big band member presenter designer: sound lighting costume make-up and hair special effects client marketing and promotions personnel artist's agent conductor tutor mentor.
Factors may include:	purpose of arrangement, such as to: enhance the work of recording artists write charts for performing artists who work with house bands help songwriters structure their compositions write versions of existing popular songs for ensembles or for publication transcribe existing arrangements modify existing screen music remix existing popular music recordings for specialised markets, such as dance, radio and internet contractual arrangements available resources amount of time allocated to rehearsal available budget client's expectations intellectual property copyright online distribution considerations: file compression for streaming and downloading file formats promotional samples to accompany each piece timelines.
Musical elements may include:	acoustics aesthetic qualities articulation attack beat cultural context duration dynamics expression form harmony/chords instrumentation interpretation intonation melody notation nuance orchestration ornamentation phrasing pitch relationship to song lyrics rhythm scales shape sound production suspensions tempo texture timbre/tone colour time signatures tonality transposition unity and contrast voicing volume.
Scope of music arrangement brief may include:	purpose number of musical pieces required duration of pieces musical genre extent of instrumentation/orchestration required budget required resources evaluation and review requirements timeline final format for arrangements.
Aspects to be covered in the work plan may include:	duration, general vision for and scope of the compositions being arranged text and any associated collaboration required timelines budget resources required for the work copyright clearances required timetable that allows for unexpected developments and contingencies communication plan that ensures ongoing discussion and confirmation of the direction being taken with arrangements plan of music components and any text components map that clearly indicates duration requirements for sections of the work.
Aspects to be covered in a contract may include:	milestones and payment schedule materials and facilities provided by both parties responsibilities of both parties role of any subcontracted personnel process for negotiating variations to the contract.
Briefing others may involve:	allocating work in line with project requirements providing specifications agreeing on standards of work and monitoring procedures providing technical and financial information agreeing on payment schedules discussing reporting mechanisms and arrangements for dealing with contingencies negotiating process for providing feedback on work in progress.
Techniques may include:	transforming songs from their basic form into authentic-sounding performances or recordings designing melodic development sweetening rhythm tracks by writing parts for different instruments generating harmony vocals creative use of countermelodic devices specific to different styles of music writing material that fits comfortably with the standard technique of a particular instrument or voice adding original music simplifying music for specific target markets rounding off rhythms and pitches applying guide tones using counterpoint composing heads as starting points for jazz improvisation instrumentation writing note combinations that sound good to the ear contrary motion writing parts creating introductions and endings using countermelodies re-harmonising chord progressions developing musical themes or motifs.
Format may be:	computer-based paper-based.

NTISthis.com

Evidence Guide: CUSMCP401A - Develop techniques for arranging music

Student: __________________________________________________

Signature: _________________________________________________

Tips for gathering evidence to demonstrate your skills

CUSMCP401A - Develop techniques for arranging music

Develop an understanding of music arrangement

Generate ideas for musical arrangements

Arrange music

Evaluate own music arrangements

Assessed

Teacher: ___________________________________ Date: _________

Signature: ________________________________________________

Comments:

Instructions to Assessors

Teacher: ___________________________ Date: _